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Dir.: Scott D. Goldstein Scott D. Goldstein was educated at the New England Conservatory of Music in Boston, the Mannes College of Music in New York and the State University of New York. He taught piano at the Joel Rosen Association and was pianist and composer for the New York City Chamber Players. Goldstein began producing and directing Off-Broadway theatre in the late '70s and, in 1986, he wrote, produced and directed (as well as writing and performing the music for) his first feature film, WALLS OF GLASS. He has also directed AMBITION (1991) as well as several documentaries for television. He has recently written a play, "Elysium", about the life of Beethoven. |
LEVITATION (CA) Dir.: Scott D. Goldstein; Script: Scott D. Goldstein; Phot.: Michael G. Wojciechowski; Ed.: Fred Wardell, Scott D. Goldstein; Mus.: Leonard Rosenman; Cast: Sarah Paulson, Benjamin Heflin, Christopher Boyer, Cassandra Ray, Ernie Hudson, Jeremy London, Elizabeth Gabor, Ann Magnuson; Prod. & Sales: Shelly Strong, Scott D. Goldstein, Tenth Muse Productions, 111 South Van Ness Avenue, Los Angeles, CA 90004 (États-Unis), tél.: (213) 962-0636, fax: (213) 962-4879. Acey is a sensitive 18-year-old whose only friends are a blues disc jockey named Downbeat and Bob, a luminous young man who seems to watch over Acey wherever she goes and with whom she falls in love. Acey's adoptive father is generally too drunk to pay her any attention and relations with her adoptive mother are cold and confrontational. Acey's private world is filled with dreams and frightening uncontrollable nocturnal levitations. She would dearly love to find her biological mother but must first get beyond the lies fed to her by her adoptive parents. Downbeat becomes a sort of paternal earth angel to Acey in her quest and -- for better or worse -- Bob provides her with psychological and spiritual guidance. Even as Acey's journey brings her face-to-face with the harsh realities of life, the powerful secrets of her other world begin to overwhelm her. Acey's efforts to reclaim her lost identity are fraught with metaphysical perils. |
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