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Dir.: Helmut Dietl Born in Bad Wiessee, Germany in 1944, Helmut Dietl studied theatre and art history but quit to begin his professional career in television. After a short apprenticeship he joined Munich's Kammerspiele Theatre as an assistant director and in the '70s began producing and directing commercials as well as numerous television series, including: "Münchner Geschichten" (1973), "Der ganz normale Wahnsinn" (1978), "Monaco Franze" (1983) and "Kir Royal" (1986). He directed his first feature, DER DURCHDREHER, in 1979. His 1992 feature, SCHTONK!, was nominated for Best Foreign Film Oscar. |
ROSSINI or the fatal question, who slept with whom (HC) Dir.: Helmut Dietl; Script: Helmut Dietl, Patrick Süsking; Phot.: Gernot Roll; Ed.: Inez Regnier; Mus.: Dario Farina; Cast: Götz George, Mario Adorf, Heiner Lauterbach, Gudrun Landgrebe, Veronica Ferres, Hannelore Hoger, Jan Josef Liefers, Meret Becker, Armin Rhode; Prod.: Helmut Dietl, Diana Film, Ainmillerstrasse 33, 80801 Munich (Allemagne), tél.: (49-89) 3839 250, fax: (49-89) 3839 25 25; Sales: Bavaria Film International, Bavariafilmplatz 7, 82031 Gelselgasteig (Allemagne), tél.: (49-89) 6499 26 81, fax: (49-89) 6499 22 40 . Every evening, the local Italian restaurant, Rossini, is frequented by a crowd of regulars who, despite their many differences have this in common: they're singles who've made the restaurant their home away from home. They use the place as a living room and office, for private and professional business, as a theatre for their personal dramas, romantic comedies, tragedies. The players include: a busy plastic surgeon, an apparently nymphomaniac journalist, a loud, jovial film producer who has three bankers seeking to cancel his credit, an uncompromising poet who lives in a brothel, a beautiful, enigmatic woman called Valerie, a nervous, allergy-ridden wreck of a man on the verge of his fourth divorce, a misanthropist who eats only in the private room, the restaurant owner and the personnel. What unites them, besides where they hang out, are such mysterious matters as love, hatred, jealousy, friendships that survive business dealings, etc. "Irony and wit, coquetry and comedy. Plus a good dose of black humour." -- Express, Munich "A small extract of society that turns into a brilliant 'comédie humaine'." -- Berlin Morgenpost |
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