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Dir.: Liv Ullmann

One of the most distinguished actresses in contemporary cinema, Liv Ullmann was born in Tokyo in 1938 to Norwegian parents and spent the war years in Canada and the United States. After studying drama in England, Ullmann launched her acting career in the Scandinavian theatre, where her work caught the eye of director Ingmar Bergman. She quickly became Bergman's favorite actress and has since starred in films around the world. In recent years Ullmann has been active in humanitarian work, on behalf of UNICEF, as vice-chairman of the refugee aid organization IRC and as co-founder of the Women for Refugee Children Worldwide. She has written two books,"Changing" in 1976 and "Choices" in 1984. In 1992 she made an auspicious debut as a feature director with SOPHIE, which was shown in competition at the Montreal World Film Festival. She directed KRISTIN LAVRANSDATTER in 1995.

 

PRIVATE CONFESSIONS (HC)
1997 / 35 mm / Couleur / 131 min.
Sweden
CI.26.5, D2.26.1, CI.27.3 

Dir.: Liv Ullmann; Script: Ingmar Bergman; Phot.: Sven Nykvist; Ed.: Michal Leszcylowski; Mus.: Pernilla August, Max von Sydow, Samuel Froler, Thomas Hanzon, Kristina Adolphson, Gunnel Fred, Hans Alfredson; Cast: Kaj Larsen, SVT Drama, Valhallavägen 117, Stockholm 10510 (Suède), tél.: (8) 784 67 77, fax: (8) 664 57 23; Prod. & Sales: The Sales Co., 62 Shaftesbury Avenue, Londres W1V 7DE (Grande-Bretagne), tél.: (44-171) 434 90 61, fax: (44-171) 494 32 93.

In these five "conversations", Ingmar Bergman expands on some of the partly autobiographical material that provided the basis for Bille August's THE BEST INTENTIONS (1989), with Pernilla August and Samuel Froler repeating their roles from the earlier film as Bergman's parents... As a young woman, Anna married Henrik, an earnest theology student. She finds herself stifled by his emotional needs but only realizes the gravity of her mistake when she meets Tomas, a younger man. Their illicit love affair makes her feel passionately alive, for the first time in years. But her happiness is also her torment. Caught between two very different worlds, she eventually turns to Jacob, who is at once her priest and an old friend she can trust. Jacob gives Anna advice that proves to have dramatic consequences. "You see, people like to speak of decisive moments. Dramatists in particular make much of this fiction. The truth is probably that such moments scarcely exist; they merely seem to... On closer inspection, the moment isn't at all decisive; for a long time, emotions and thoughts have been flowing, consciously or not, in the same direction. The actual breakout lies back in the distant past, deep in the darkness." -- Ingmar Bergman

             
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