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Dir.: Eduard Zahariev

Born in Sofia, Bulgaria in 1938, Eduard Zahariev studied cinema in Budapest and began his filmmaking career in 1967 with IF THE TRAIN DOESN'T COME in 1967. His subsequent films include: THE SKY OVER THE VELEKA (1968), THE HARE CENSUS (1973), VILLA ZONE (1975), A TIME FOR MEN (1977), ALMOST A LOVE STORY (1980), ELEGY (1982), MY DARLING, MY DARLING (1985), PROTECTED ZONE (1990) and ELEGY (new version, 1992). Zahariev died on June 26, 1996 after completing the editing of BELATED FULL MOON.

 

BELATED FULL MOON (CA)
1996 / 35 mm / Couleur / 116 min.
Bulgaria - Hungary
D3.26.1, D3.27.4, D3.30.2 

Dir.: Eduard Zahariev; Script: Eduard Zahariev; Phot.: Emil Christov; Ed.: Kamen Ferdinandov; Mus.: Kiril Donchev; Cast: Itzak Finzi, Mincheva, Virginia Kelmelite, Nikolai Urumov, Valeri Drennyikov, Elena Lafanazova, Gergana Danova; Prod. & Sales: Eduard Zahariev, F.E. Zahariev, 12 Kosta Lulchev Street, 1113 Sofia (Bulgarie), tél. & fax: (035-9) 2 722 593.

The old man lives with his son, his daughter-in-law and his grandson but they can hardly agree about anything. The old man worries that that his grandson is headed for a life of crime and the boy's mother admits that her maternal feelings for him are dead. The son's husbandly instincts are also cool; he needs porno videos to get aroused. And his efforts to succeed in business meet with indifference from his father. The old man goes off to live in an old age home but there, too, he can't get along. He runs away and meets up with two friends from his past with a harebrained scheme to rob a bank. The old man winds up on the streets of Sofia where everything is in decay. Gangsters thrive, the poor are forced to root through garbage cans for food and Asian refugees are treated like animals. Then, like in a fairy tale, the old man stumbles across a suitcase full of money... "Eduard Zahariev, one of Bulgaria's most prominent filmmakers, died (last year) after completing the editing (of BELATED FULL MOON)... a fairly bleak look at the state of his nation in the mid-'90s via the microcosm of an old man, his son and his grandson... It's a solid memorial to a director whose sharp sense of social conscience was always leavened by a winning sense of humour." -- David Stratton (Variety)

             
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